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Article
Books Becoming Museums: Exploring Intertextuality and Pictorial Influence in Susan Howe’s Debths
Author(s)
Isabel María Nieto Castejón
Full-Text PDF XML 521 Views
DOI:10.17265/2328-2177/2021.04.004
Affiliation(s)
University of Salamanca, Salamanca, Spain
ABSTRACT
At the end of the
seventies, science, philosophy and arts became a succulent material for poets,
especially for those belonging to experimental groups like Susan Howe. Debths (2017), probably Howe’s last book, is a museum for any reader as it is not just
an ensemble of memoirs and related poems, but also a source of pictorial and
literary information. It includes extracts from 19th and 20th century texts
(fairy tales, essays, and other genres) by her favorite influential authors as
well as her ekphrastic poems that evocate paintings and sculptures from the
Isabella Gardner Museum where she once found the inspiration. Even music has a
place in this book, as Howe tends to include sound effects, interferences and
references to musical pieces in her poems to make them multidimensional works
of art. Along the pages, Howe highlights the materiality of writing, as well as
the relevance of the form, especially in “Tom Tit Tot”, where she shows her
mastery of the collage technique. All these carefully chosen pieces have the
mission of representing the eternal return, the relativity of time, and how
death can also be a beginning.
KEYWORDS
poetry, experimentalism, art, sculpture, painting, music, collage, form
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